{"id":17278,"date":"2023-06-16T19:00:36","date_gmt":"2023-06-16T17:00:36","guid":{"rendered":"https:\/\/beile.fr\/?p=17278"},"modified":"2023-09-14T17:02:04","modified_gmt":"2023-09-14T15:02:04","slug":"elementor-17278","status":"publish","type":"post","link":"https:\/\/beile.fr\/en\/elementor-17278\/","title":{"rendered":"Ludwig Schuurman has unlocked the secrets of the Black Island"},"content":{"rendered":"
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Ludwig Schuurman has unlocked the secrets of the Black Island<\/h2>\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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This is a book that the tintinophile have been waiting for many years ! Ludwig Schuurman is the author of Herg\u00e9 in the land of the black islands<\/em>, the first doctoral thesis in literature entirely devoted to Tintin<\/em> and his creator. Supported in 2009, with the congratulations of the jury. At the time, only a privileged few were able to discover its contents. Schuurman published summaries of his thesis in various collective publications. From what to make his readers salivate while leaving them hungry. But everything comes at the right time. A revised and enriched version of Ludwig\u2019s work Schuurman was published last April by Georg under a new title : The Black Islands of Herg\u00e9<\/em><\/p>

The Black Island<\/em> is the \u201conly band in the world to have been twice totally redesigned\u201d<\/em> the author to begin with (p. 20). We knew that this account of 124 plates, published by Casterman in 1938, had affinities with films like The 39 Steps<\/em> of Hitchcock or King Kong<\/em> (of which the monkey Ranko is a distant cousin). Ludwig Schuurman deepens these tracks. He also explores the islands the most famous of literature (Defoe, Stevenson). The most profound influence, according to him, is however the English Gothic Romanesque, whose traces until in children\u2019s tales and cinema. Herg\u00e9 borrowed many elements: castle, ruins, mysterious beast, supernatural atmosphere, etc. Tintin\u2019s father also drew on the press and comics Zig and Puce<\/em> of the one he considered as one of his masters, Alain Saint-Ogan.<\/p>

Although the first edition of The Black Island<\/em> appeared in black and white, it was with four colour text inserts, each of which is \u201cboth a table and vignette, an autonomous whole and a potential fragment of the whole\u201d<\/em> (p. 164). Schuurman analyses each of these images brilliantly. His study is also a pretext for digress on the Hergenian method: search for the efficiency of the stroke, passage of the black and white in full colour, etc. The second version was released in 1943 of The Black Island<\/em>, after a work of recast in 62 boards. If the album was colorized, Herg\u00e9 kept the original drawings, which always seduce by their \"crazy line\"<\/em> the \u00absoft sensuality of the trait\u00bb<\/em> (expressions borrowed from Pierre Sterckx and Tardi, p. 187).
\nThis is unfortunately not the case with the third version of the story, published in 1966. The creator of Tintin had chosen to completely redesign The Black Island<\/em> in anticipation of its release in Great Britain, the English publisher Methuen having pointed 131 errors. If the adventure has gained in accuracy, it has lost its charm, Herg\u00e9 Studios. Thus, Roger Leloup\u2019s aircraft are \u201ctoo authentic, too mimetic\u201d<\/em> (p. 289) and Bob De Moor\u2019s decorations too pervasive. Ludwig Schuurman points out the inconsistencies of the latter version (the most common nowadays), the removal of Belgian or yet the play of the work. Everything was bland; even Tintin became too wise: in the original story, he jumped unscrupulously into the dumpster of a truck to save time. Now he\u2019s hitchhiking politely.<\/p>

The Black Islands of Herg\u00e9<\/em>, by Ludwig Schuurman: more than 500 pages for 19 euros.
\nFrom the memory of tintinophile readers, we have never seen better value for money<\/p>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Patrice GUERIN<\/strong><\/p><\/div>\t\t\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Ludwig Schuurman a perc\u00e9 les secrets de L\u2019\u00cele Noire Voil\u00e0 bien un livre que les tintinophiles attendaient avec impatience depuis plusieurs ann\u00e9es ! Ludwig Schuurman est l\u2019auteur d\u2019Herg\u00e9 au pays des \u00eeles noires, la premi\u00e8re th\u00e8se de doctorat en litt\u00e9rature enti\u00e8rement consacr\u00e9e \u00e0 Tintin et \u00e0 son cr\u00e9ateur. Soutenue en 2009, avec les f\u00e9licitations du jury. \u00c0 l\u2019\u00e9poque, seuls quelques heureux privil\u00e9gi\u00e9s avaient pu en d\u00e9couvrir le contenu. Schuurman a par la suite publi\u00e9 des r\u00e9sum\u00e9s de sa th\u00e8se dans diverses publications collectives. De quoi faire saliver ses lecteurs tout en les laissant sur leur faim. Mais tout vient \u00e0 point \u00e0 qui sait attendre. Une version remani\u00e9e et enrichie du travail de Ludwig Schuurman est parue en avril dernier aux \u00e9ditions Georg, sous un nouveau titre : Les \u00celes Noires d\u2019Herg\u00e9. L\u2019\u00cele Noire est la \u00ab seule bande au monde \u00e0 avoir \u00e9t\u00e9 deux fois totalement remani\u00e9e \u00bb rappelle l\u2019auteur pour commencer (p. 20). Nous savions que ce r\u00e9cit de 124 planches, paru chez Casterman en 1938, avait des affinit\u00e9s avec des films comme Les 39 Marches de Hitchcock ou King Kong (dont le singe Ranko est un cousin \u00e9loign\u00e9). Ludwig Schuurman approfondit ces pistes. Il explore aussi les \u00eeles les plus c\u00e9l\u00e8bres de la litt\u00e9rature (Defoe, Stevenson). L\u2019influence la plus profonde, selon lui, est toutefois le roman gothique anglais, dont on trouve des traces jusque dans les contes pour enfants et le cin\u00e9ma. Herg\u00e9 en a emprunt\u00e9 de nombreux \u00e9l\u00e9ments : ch\u00e2teau, ruines, b\u00eate myst\u00e9rieuse, ambiance surnaturelle, etc. Le p\u00e8re de Tintin a \u00e9galement puis\u00e9 dans la presse, et dans les bandes dessin\u00e9es Zig et Puce de celui qu\u2019il consid\u00e9rait comme l\u2019un de ses ma\u00eetres, Alain Saint-Ogan. Si la premi\u00e8re \u00e9dition de L\u2019\u00cele Noire parut en noir et blanc, elle \u00e9tait cependant dot\u00e9e de quatre hors-texte en couleurs, chacun d\u2019eux \u00e9tant \u00ab \u00e0 la fois tableau et vignette, un tout autonome et un fragment potentiel du tout \u00bb (p. 164). Schuurman analyse chacune de ces images avec brio. Son \u00e9tude est aussi un pr\u00e9texte pour digresser sur la m\u00e9thode herg\u00e9enne : recherche de l\u2019efficacit\u00e9 du trait, passage dunoir et blanc \u00e0 la quadrichromie, etc. C\u2019est en 1943 que sortit la deuxi\u00e8me version de L\u2019\u00cele Noire, apr\u00e8s un travail de refonte en 62 planches. Si l\u2019album fut coloris\u00e9, Herg\u00e9 en conserva les dessins d\u2019origine, qui s\u00e9duisent toujours par leur \u00ab ligne folle \u00bb, la \u00ab molle sensualit\u00e9 du trait \u00bb (expressions emprunt\u00e9es \u00e0 Pierre Sterckx et \u00e0 Tardi, p. 187).Ce n\u2019est malheureusement pas le cas de la troisi\u00e8me mouture de l\u2019histoire, publi\u00e9e en 1966. Le cr\u00e9ateur de Tintin avait choisi de redessiner enti\u00e8rement L\u2019\u00cele Noire en pr\u00e9vision de sa sortie en Grande-Bretagne, l\u2019\u00e9diteur anglais Methuen ayant point\u00e9 131 erreurs. Si l\u2019aventure a gagn\u00e9 en exactitude, elle a perdu de son charme, parasit\u00e9e par l\u2019apport des Studios Herg\u00e9. Ainsi, les avions de Roger Leloup sont\u00ab trop authentiques, trop mim\u00e9tiques \u00bb (p. 289) et les d\u00e9cors de Bob De Moor trop envahissants. Ludwig Schuurman fait remarquer les incoh\u00e9rences de cette derni\u00e8re version (la plus courante de nos jours), la suppression des r\u00e9f\u00e9rences belges ou encore la d\u00e9dramatisation de l\u2019\u0153uvre. Tout a \u00e9t\u00e9 affadi ; m\u00eame Tintin est devenu trop sage : dans le r\u00e9cit originel, il sautait sans scrupule dans la benne d\u2019un camion pour gagner du temps. D\u00e9sormais, il fait poliment de l\u2019autostop. Les \u00celes Noires d\u2019Herg\u00e9, par Ludwig Schuurman : plus de 500 pages pour 19 euros.De m\u00e9moire de lecteur tintinophile, on n\u2019a jamais vu meilleur rapport qualit\u00e9-prix. Patrice GUERIN Ajouter aux favoris<\/p>","protected":false},"author":1,"featured_media":16946,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"disabled","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[1],"tags":[],"class_list":["post-17278","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-uncategorized"],"yoast_head":"\nLudwig Schuurman a perc\u00e9 les secrets de L\u2019\u00cele Noire - Beile<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/beile.fr\/en\/elementor-17278\/\" \/>\n<meta property=\"og:locale\" content=\"en_GB\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Ludwig Schuurman a perc\u00e9 les secrets de L\u2019\u00cele Noire - Beile\" \/>\n<meta property=\"og:description\" content=\"Ludwig Schuurman a perc\u00e9 les secrets de L\u2019\u00cele Noire Voil\u00e0 bien un livre que les tintinophiles attendaient avec impatience depuis plusieurs ann\u00e9es ! Ludwig Schuurman est l\u2019auteur d\u2019Herg\u00e9 au pays des \u00eeles noires, la premi\u00e8re th\u00e8se de doctorat en litt\u00e9rature enti\u00e8rement consacr\u00e9e \u00e0 Tintin et \u00e0 son cr\u00e9ateur. Soutenue en 2009, avec les f\u00e9licitations du jury. \u00c0 l\u2019\u00e9poque, seuls quelques heureux privil\u00e9gi\u00e9s avaient pu en d\u00e9couvrir le contenu. Schuurman a par la suite publi\u00e9 des r\u00e9sum\u00e9s de sa th\u00e8se dans diverses publications collectives. De quoi faire saliver ses lecteurs tout en les laissant sur leur faim. Mais tout vient \u00e0 point \u00e0 qui sait attendre. Une version remani\u00e9e et enrichie du travail de Ludwig Schuurman est parue en avril dernier aux \u00e9ditions Georg, sous un nouveau titre : Les \u00celes Noires d\u2019Herg\u00e9. L\u2019\u00cele Noire est la \u00ab seule bande au monde \u00e0 avoir \u00e9t\u00e9 deux fois totalement remani\u00e9e \u00bb rappelle l\u2019auteur pour commencer (p. 20). Nous savions que ce r\u00e9cit de 124 planches, paru chez Casterman en 1938, avait des affinit\u00e9s avec des films comme Les 39 Marches de Hitchcock ou King Kong (dont le singe Ranko est un cousin \u00e9loign\u00e9). Ludwig Schuurman approfondit ces pistes. Il explore aussi les \u00eeles les plus c\u00e9l\u00e8bres de la litt\u00e9rature (Defoe, Stevenson). L\u2019influence la plus profonde, selon lui, est toutefois le roman gothique anglais, dont on trouve des traces jusque dans les contes pour enfants et le cin\u00e9ma. Herg\u00e9 en a emprunt\u00e9 de nombreux \u00e9l\u00e9ments : ch\u00e2teau, ruines, b\u00eate myst\u00e9rieuse, ambiance surnaturelle, etc. Le p\u00e8re de Tintin a \u00e9galement puis\u00e9 dans la presse, et dans les bandes dessin\u00e9es Zig et Puce de celui qu\u2019il consid\u00e9rait comme l\u2019un de ses ma\u00eetres, Alain Saint-Ogan. Si la premi\u00e8re \u00e9dition de L\u2019\u00cele Noire parut en noir et blanc, elle \u00e9tait cependant dot\u00e9e de quatre hors-texte en couleurs, chacun d\u2019eux \u00e9tant \u00ab \u00e0 la fois tableau et vignette, un tout autonome et un fragment potentiel du tout \u00bb (p. 164). Schuurman analyse chacune de ces images avec brio. Son \u00e9tude est aussi un pr\u00e9texte pour digresser sur la m\u00e9thode herg\u00e9enne : recherche de l\u2019efficacit\u00e9 du trait, passage dunoir et blanc \u00e0 la quadrichromie, etc. C\u2019est en 1943 que sortit la deuxi\u00e8me version de L\u2019\u00cele Noire, apr\u00e8s un travail de refonte en 62 planches. Si l\u2019album fut coloris\u00e9, Herg\u00e9 en conserva les dessins d\u2019origine, qui s\u00e9duisent toujours par leur \u00ab ligne folle \u00bb, la \u00ab molle sensualit\u00e9 du trait \u00bb (expressions emprunt\u00e9es \u00e0 Pierre Sterckx et \u00e0 Tardi, p. 187).Ce n\u2019est malheureusement pas le cas de la troisi\u00e8me mouture de l\u2019histoire, publi\u00e9e en 1966. Le cr\u00e9ateur de Tintin avait choisi de redessiner enti\u00e8rement L\u2019\u00cele Noire en pr\u00e9vision de sa sortie en Grande-Bretagne, l\u2019\u00e9diteur anglais Methuen ayant point\u00e9 131 erreurs. Si l\u2019aventure a gagn\u00e9 en exactitude, elle a perdu de son charme, parasit\u00e9e par l\u2019apport des Studios Herg\u00e9. Ainsi, les avions de Roger Leloup sont\u00ab trop authentiques, trop mim\u00e9tiques \u00bb (p. 289) et les d\u00e9cors de Bob De Moor trop envahissants. Ludwig Schuurman fait remarquer les incoh\u00e9rences de cette derni\u00e8re version (la plus courante de nos jours), la suppression des r\u00e9f\u00e9rences belges ou encore la d\u00e9dramatisation de l\u2019\u0153uvre. Tout a \u00e9t\u00e9 affadi ; m\u00eame Tintin est devenu trop sage : dans le r\u00e9cit originel, il sautait sans scrupule dans la benne d\u2019un camion pour gagner du temps. D\u00e9sormais, il fait poliment de l\u2019autostop. Les \u00celes Noires d\u2019Herg\u00e9, par Ludwig Schuurman : plus de 500 pages pour 19 euros.De m\u00e9moire de lecteur tintinophile, on n\u2019a jamais vu meilleur rapport qualit\u00e9-prix. 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Beile","robots":{"index":"index","follow":"follow","max-snippet":"max-snippet:-1","max-image-preview":"max-image-preview:large","max-video-preview":"max-video-preview:-1"},"canonical":"https:\/\/beile.fr\/en\/elementor-17278\/","og_locale":"en_GB","og_type":"article","og_title":"Ludwig Schuurman a perc\u00e9 les secrets de L\u2019\u00cele Noire - Beile","og_description":"Ludwig Schuurman a perc\u00e9 les secrets de L\u2019\u00cele Noire Voil\u00e0 bien un livre que les tintinophiles attendaient avec impatience depuis plusieurs ann\u00e9es ! Ludwig Schuurman est l\u2019auteur d\u2019Herg\u00e9 au pays des \u00eeles noires, la premi\u00e8re th\u00e8se de doctorat en litt\u00e9rature enti\u00e8rement consacr\u00e9e \u00e0 Tintin et \u00e0 son cr\u00e9ateur. Soutenue en 2009, avec les f\u00e9licitations du jury. \u00c0 l\u2019\u00e9poque, seuls quelques heureux privil\u00e9gi\u00e9s avaient pu en d\u00e9couvrir le contenu. Schuurman a par la suite publi\u00e9 des r\u00e9sum\u00e9s de sa th\u00e8se dans diverses publications collectives. De quoi faire saliver ses lecteurs tout en les laissant sur leur faim. Mais tout vient \u00e0 point \u00e0 qui sait attendre. Une version remani\u00e9e et enrichie du travail de Ludwig Schuurman est parue en avril dernier aux \u00e9ditions Georg, sous un nouveau titre : Les \u00celes Noires d\u2019Herg\u00e9. L\u2019\u00cele Noire est la \u00ab seule bande au monde \u00e0 avoir \u00e9t\u00e9 deux fois totalement remani\u00e9e \u00bb rappelle l\u2019auteur pour commencer (p. 20). Nous savions que ce r\u00e9cit de 124 planches, paru chez Casterman en 1938, avait des affinit\u00e9s avec des films comme Les 39 Marches de Hitchcock ou King Kong (dont le singe Ranko est un cousin \u00e9loign\u00e9). Ludwig Schuurman approfondit ces pistes. Il explore aussi les \u00eeles les plus c\u00e9l\u00e8bres de la litt\u00e9rature (Defoe, Stevenson). L\u2019influence la plus profonde, selon lui, est toutefois le roman gothique anglais, dont on trouve des traces jusque dans les contes pour enfants et le cin\u00e9ma. Herg\u00e9 en a emprunt\u00e9 de nombreux \u00e9l\u00e9ments : ch\u00e2teau, ruines, b\u00eate myst\u00e9rieuse, ambiance surnaturelle, etc. Le p\u00e8re de Tintin a \u00e9galement puis\u00e9 dans la presse, et dans les bandes dessin\u00e9es Zig et Puce de celui qu\u2019il consid\u00e9rait comme l\u2019un de ses ma\u00eetres, Alain Saint-Ogan. Si la premi\u00e8re \u00e9dition de L\u2019\u00cele Noire parut en noir et blanc, elle \u00e9tait cependant dot\u00e9e de quatre hors-texte en couleurs, chacun d\u2019eux \u00e9tant \u00ab \u00e0 la fois tableau et vignette, un tout autonome et un fragment potentiel du tout \u00bb (p. 164). Schuurman analyse chacune de ces images avec brio. Son \u00e9tude est aussi un pr\u00e9texte pour digresser sur la m\u00e9thode herg\u00e9enne : recherche de l\u2019efficacit\u00e9 du trait, passage dunoir et blanc \u00e0 la quadrichromie, etc. C\u2019est en 1943 que sortit la deuxi\u00e8me version de L\u2019\u00cele Noire, apr\u00e8s un travail de refonte en 62 planches. Si l\u2019album fut coloris\u00e9, Herg\u00e9 en conserva les dessins d\u2019origine, qui s\u00e9duisent toujours par leur \u00ab ligne folle \u00bb, la \u00ab molle sensualit\u00e9 du trait \u00bb (expressions emprunt\u00e9es \u00e0 Pierre Sterckx et \u00e0 Tardi, p. 187).Ce n\u2019est malheureusement pas le cas de la troisi\u00e8me mouture de l\u2019histoire, publi\u00e9e en 1966. Le cr\u00e9ateur de Tintin avait choisi de redessiner enti\u00e8rement L\u2019\u00cele Noire en pr\u00e9vision de sa sortie en Grande-Bretagne, l\u2019\u00e9diteur anglais Methuen ayant point\u00e9 131 erreurs. Si l\u2019aventure a gagn\u00e9 en exactitude, elle a perdu de son charme, parasit\u00e9e par l\u2019apport des Studios Herg\u00e9. Ainsi, les avions de Roger Leloup sont\u00ab trop authentiques, trop mim\u00e9tiques \u00bb (p. 289) et les d\u00e9cors de Bob De Moor trop envahissants. Ludwig Schuurman fait remarquer les incoh\u00e9rences de cette derni\u00e8re version (la plus courante de nos jours), la suppression des r\u00e9f\u00e9rences belges ou encore la d\u00e9dramatisation de l\u2019\u0153uvre. Tout a \u00e9t\u00e9 affadi ; m\u00eame Tintin est devenu trop sage : dans le r\u00e9cit originel, il sautait sans scrupule dans la benne d\u2019un camion pour gagner du temps. D\u00e9sormais, il fait poliment de l\u2019autostop. Les \u00celes Noires d\u2019Herg\u00e9, par Ludwig Schuurman : plus de 500 pages pour 19 euros.De m\u00e9moire de lecteur tintinophile, on n\u2019a jamais vu meilleur rapport qualit\u00e9-prix. Patrice GUERIN Ajouter aux favoris","og_url":"https:\/\/beile.fr\/en\/elementor-17278\/","og_site_name":"Beile","article_published_time":"2023-06-16T17:00:36+00:00","article_modified_time":"2023-09-14T15:02:04+00:00","og_image":[{"width":1929,"height":2560,"url":"https:\/\/beile.fr\/wp-content\/uploads\/2023\/06\/1-3-scaled.jpg","type":"image\/jpeg"}],"author":"beile","twitter_card":"summary_large_image","twitter_misc":{"Written by":"beile","Estimated reading time":"4 minutes"},"schema":{"@context":"https:\/\/schema.org","@graph":[{"@type":"Article","@id":"https:\/\/beile.fr\/elementor-17278\/#article","isPartOf":{"@id":"https:\/\/beile.fr\/elementor-17278\/"},"author":{"name":"beile","@id":"https:\/\/beile.fr\/#\/schema\/person\/8077539c6780480e3f87b13a12da6b1e"},"headline":"Ludwig Schuurman a perc\u00e9 les secrets de L\u2019\u00cele Noire","datePublished":"2023-06-16T17:00:36+00:00","dateModified":"2023-09-14T15:02:04+00:00","mainEntityOfPage":{"@id":"https:\/\/beile.fr\/elementor-17278\/"},"wordCount":639,"publisher":{"@id":"https:\/\/beile.fr\/#organization"},"image":{"@id":"https:\/\/beile.fr\/elementor-17278\/#primaryimage"},"thumbnailUrl":"https:\/\/beile.fr\/wp-content\/uploads\/2023\/06\/1-3-scaled.jpg","articleSection":["Uncategorized"],"inLanguage":"en-GB"},{"@type":"WebPage","@id":"https:\/\/beile.fr\/elementor-17278\/","url":"https:\/\/beile.fr\/elementor-17278\/","name":"Ludwig Schuurman a perc\u00e9 les secrets de L\u2019\u00cele Noire - 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